"Singles" is much deeper than its grunge surface level, exploring the beauty of relationships with realism. ★★★★
’92 Cinema Revue
‘El Mariachi’ – ’92 Cinema Revue
"El Mariachi" remains an action indie masterclass showcasing director Robert Rodriguez's voice amid the lack of a high budget. ★★★★½
‘Sneakers’ – ’92 Cinema Revue
"Sneakers" combines the thrills of spy and heist films with great laughs, led by one of the best ensemble casts ever assembled. ★★★★½
‘Honeymoon in Vegas’ – ’92 Cinema Revue
"Honeymoon in Vegas" delivers some laughs but can feel dated in the long run despite two top-tier performers. ★★★
‘Rapid Fire’ – ’92 Cinema Revue
"Rapid Fire" is a paint-by-numbers film that works best as a showcase of Brandon Lee's talents. ★★½
‘Single White Female’ – ’92 Cinema Revue
"Single White Female" remains the best "Roommate from Hell" film elevating a B- story with A+ acting from Jennifer Jason Leigh and Bridget Fonda. ★★★★
‘Unforgiven’ – ’92 Cinema Revue
"Unforgiven" is a remarkable deconstruction of the Western and one of the best in the genre. ★★★★★
‘Death Becomes Her’ – ’92 Cinema Revue
"Death Becomes Her" will live forever as a camp classic thanks to stellar performance and even more stellar effects. ★★★★½
‘Porco Rosso’ – ’92 Cinema Revue
"Porco Rosso" soars above 1992's animated competition by being a modern fantasy that never loses sight of its story. ★★★★★
‘Honey, I Blew Up the Kid’ – ’92 Cinema Revue
"Honey, I Blew Up the Kid" expands on the spectacle while shrinking down on laughs. ★★½
Cinema Revue 